More Development from Al Mozol
Rossian
Spiral/Model of Apophatic Knowing (must be read along with
the original diagram – July 23, 2012)
“...a
spiral is a figure that retains its shape (i. e. , its proportions)
as it grows in one dimension by addition at the open end.
You see, there are no truly static spirals.” Gregory Bateson (italics original)
Nature has a way of conveying
its wisdom that life comes with arcs and spirals
- the protruding bellies of pregnant women; the house and shape of the
human brain; the bodies of dolphins or the bark and trunks of trees. Human
ingenuity is only beginning to acknowledge the healing power of spirals and
arcs applied for example to the circular structure of cyclotron and gantry used
in proton therapy. Common wisdom tells us how people abhor being 'boxed-in,'
how linear structures are rather more suffocating compared with those that tend
to 'encompass' like old cathedrals or caves of solitude, silence and
transfiguration.
The basic assumption of the Rossian
spiral/model of apophatic knowing is that human being and doing is ordained
towards theosis or transfiguration and that there is an incarnational means, context and language that facilitate “knowledge” of the way
to this telos of transfiguration. They are incarnational for two reasons: the
means, context, and language are available to everyone; and second, because
transfiguration can happen though more imperceptibly and incrementally within a
person's lifetime. The means and context towards transfiguration and its
expression in human language (could be deprived, vapid, narcissistic,
self-destructive also) is beholding.
The original diagram [posted Monday, July
23, 2012] shows that 'human knowing' tends to traverse between two
'hemispheres' – the left and the right hemispheres. The two hemispheres could
be both metaphorical in one sense, or literal in another in reference to the
hemispheres of the human brain. In apophatic knowing, the line dividing the
metaphorical and the literal is blurred. The contemplative mind is mediated by
the physicality of the human brain. But it is also, in the tradition of Bateson
and Bringhurst, “a reflection of large parts and many parts of the natural
world outside the thinker”. In-between the two hemispheres is the area of
liminality, the area that is most marketed as the 'contemplative experience'.
The left hemisphere could mean the hemisphere of differences and distinctions
whereas the right hemisphere could mean the hemisphere of the immeasurable
density and spaciousness of the divine vision of the goodness of creation, of
the human heart. The diagram however shows that the area of liminality is
simply the area of waiting, or the intent to wait in silence, or the
willingness to be handed over to silence, to be attentive to the silence that
is more spacious than the linguistic expressions in the left hemisphere. The
present impasse regarding contemplative practice is how liminality is marketed
as the contemplative prayer when the deeper truth that the model advances is
that contemplative prayer is way beyond human consciousness and more silent
than one's intent to wait. Contemplative prayer is floating in the sea of
silence where self-consciousness on how to float is suspended. After the float,
there is no way talking, analysing, or interpreting what happen during the
actual floating. One can only float in the absence of the conscious effort to
float. To float is to let go of the initial intention and desire to float. The
right hemisphere is the sea of silence, the context of beholding. But this sea of silence is not something external. It
is inherent in creation, in every person. The practice of silence then becomes
the means of beholding, of entering into the
infinite context and space of silence. The gift of beholding is transfigured
perception, growth in the 'mind of Christ,' the re-ordering or purification of
human desires by the Spirit that Paul alluded to in Galatians 5:22-26.
The image of the spiral above is meant to
aid in understanding the Rossian diagram. The green fine dashes represent the
content of the left hemisphere. The open end of every dash represents the point
of liminality, the doorway to surrender in silence. The space in-between every
dash is the continuous space of silence in the practice of beholding. The context of the beholding is the white background of the whole spiral. But
the spaces of silence in-between the language of
the left hemisphere could become the means also
towards outward growth or kenosis in prayer and compassion in fulfillment of
the two greatest commandments. The spiral looks like it has a point of
beginning. It doesn't have a beginning. The context is the Spirit's playground,
the space “more than one can imagine or ask for.” Be-ginning here is original, infinite self-outpouring that pervades every nook
and cranny of creation (Keller). Hence, the beginning of the spiral could be
anywhere else in the beholding of creation that is the recipient of divine
self-outpouring, the divine activity human consciousness, if humble enough, has
no sense of its trajectory. The spiral has no Newtonian neatness but is rather
projective of some quantum movement of digressions, seemingly Sisiphyian
monotony of “sitting in one's cell” over and over, of going back always to
where one has started, detours, ennui, confusions, woundedness, of human shortness
in beholding – human predicaments that could cyclically give birth to the
necessity of beholding because beholding brings hope for a transfigured world
in the here-and-now.
5 Comments:
This image is like an Aboriginal painting.
re arcs and curves. I have a copy of the book, The Power of Limits: Proportional Harmonies in Nature, Art and Architecture by Gyorgy Doczi which I use in making art.
" Contemplative prayer is floating in the sea of silence where self-consciousness on how to float is suspended. After the float, there is no way talking, analysing, or interpreting what happen during the actual floating."
There is (seemingly) little sequentiality between meditation and "beholding" or "kensho" or "breakthrough" or whatever tag one might care to put on this non experience.
Seems unlikely anyway.
I do think there is an "echo" of sorts however. It manifests in the self conscious as the thought feeling "What was that?" with no way to find an answer at all.
Without at least this much where does the question and where do diagrams like this come from?
The erratic quality of the spiral progression is interesting.
It reminds me of the track one's footprints leave in walking towards anything. We do not walk in a linearly straight manner in doing this; we walk in slight zigs and zags, to the left and to the right of a straight line as we progress.
Al,
This is really interesting!
The white implies "whereof" comes the sense of "vastness" which seems so present and so unholdable.
The area of liminality as/is the edge of green, waiting or the willingness to surrender: again the potential in this is seen. It takes up no space whatsoever. Where is over the edge of nothing? Movement, if implied, is the coming "into" Grace?
I wonder why the spiral? To me a spiral does imply movement. It seems in some manner to be self conscious. Is the spiral also a map about hope?
Hi Maggie,
I agree that Nature can convey its wisdom with arcs and circles.Our bodies to have an instinctual knowledge of this which seems evident when we look at sacred dances from various cultures and see circular movements incorporated into the dance. I reside in eastern Canada and the Snake Dance of the Mi'Kmaq First Nations People in this area is one such example of this spiraling movement.
Interestingly, the Square Dance has it origins in the 17th century England during the Age of Reason!
John O'Donohue in Anam Cara describes the mystery of the circle movingly, " The Celtic mind was never drawn to the single line; it avoided ways of seeing and being which seek satisfaction in certainty...The circle never gives itself completely to the eye or to the mind, but offers a trusting hospitality that which is complex and mysterious; it embraces depth and height together.
Kevin
Al - the circle/spiral movement and image feels like a good companion for the diagram - thankyou. Firstly because it interrupts the linear thought process which seems to be a default position of so much thinking - one which I fall into time and again! It reminds me of the spiral flowerbed we created in our back garden some years ago. I had wanted to echo natural form in our woodland home - it took a wise visitor to point out we had created the simplest form of prayer labyrinth. It is walked regularly by ourselves and visitors. Secondly you embed the left-right dynamic in its context the 'playground of the Spirit' - wonderful! Again thinking of your spiral and our spiral prayer walk - the green dashes become my foot-steps, the end of every dash the place of decision, to go on or stop, the need to be ungrasping and willing, the spaces in between where I am suspended, unknowing, off balance, seeking the next piece of firm ground - all happening in the context of sky, earth, plants, creatures, air, water, sounds and silence. Having reached the centre, turned and returned, there is no end, only a beginning ....
Grace and peace, Tessa
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